Yankovic would show the trailer during his concert tours leading some fans to think it was for a real film or encouraging him to make it one. Following the success of other musician biopics such as Bohemian Rhapsody (2018) and Rocketman (2019), Yankovic began to legitimately consider the idea of making a full-length film. He and Appel began to shop the idea around Hollywood, but the studios' initial impressions were that the film was going to be in the vein of a Zucker, Abrahams and Zucker full-on parody and passed on the idea. The two looked at common tropes in other musician biopics, finding that facts about the musician's life were often changed arbitrarily, and used a similar approach to writing Yankovic's biographical story with the same type of creative freedom.[12] They opted to retain the setting of the film within Yankovic's early career between 1979 and 1985, only going off this period for the inclusion of "Amish Paradise" from 1996 at the end of the film.[13] Some events in the film are based on facts from Yankovic's life: he did receive his first accordion from a traveling salesman; "My Bologna" was recorded in a public bathroom, though in real life, this was a bathroom across from the KCPR radio station offices; there has been a "Yankovic effect" in that being parodied by Yankovic helped boost the success of the original songs by other musicians, notably with Nirvana and Yankovic's parody "Smells Like Nirvana"; and Madonna did originally come up with the concept of Yankovic's parody "Like a Surgeon", which Yankovic had heard about and agreed was a good idea.[14]
Studio D B1 Lehrer Cd
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